Learning to learn how to draw by Willem Van Aswegen
If you have any interest in drawing you probably would have google’d how to draw, or how to draw certain characters from you favourite cartoons. And wondered why some people have this amazing ability to just draw, and you narrowed it down to just talent, but there’s a lot more to it than that. Talent helps but even talented people have to learn how to learn to draw. It basically comes down to motivation, if you really want to learn how to draw there is no certain way, or technique to teach you how to draw, drawing is more of a journey which you embark on by your lonesome, repeated for several hours daily for the rest of your life, filling up sketch book after sketchbook. Slowly getting better. Now you might ask yourself what the hell has this amateur wanabee artist have to teach anyone. Well although my drawings aren’t anywhere near as good as I want them to be I have stumbled across the way to learn to draw. Now there is no technique or rules but there are a lot of helpful things IV picked up along the way and would like to share with anyone who would like to embark on this journey.
First Steps
The very first step for anyone wanting to learn how to draw is buy a sketchbook, it is the most important thing, buy a small a4 sized one first, to get you started and if you want move onto bigger sizes later. But start out by drawing everyday, it doesn’t matter what you draw, if you are in your room, draw your clothes hanging from hangers, if you are watching TV draw the characters if you are on a bus draw the people on the bus way. Learning how to draw has a lot to do with drawing, go figure huh, but the more you draw the more of a benefit you’ll get at the end of the day. Make sure you date most of your drawings so oneday you can look back on it and see how much you have improved. It doesn’t matter if your pictures don’t look to good, just draw, and after the day is done, go show someone what you have drawn and ask them what you can do better, because since you stare at the picture the entire time you might not notice that the legs proportions don’t look quite right, someone else seeing it as a new will be able to point it out to you. But do not erase it, don’t use a rubber and fix your mistakes, just draw it again, that’s how you learn and your not making a sketch book of pretty pictures, your sketch book is kind of a log of all the mistakes you made and learnt from. Take your sketch book everywhere, doesn’t matter where you go, you can draw on busses, trains, in cars, in a park, on rooftops at the beach, and anywhere, just draw. Don’t try to draw in a popular cartoon style like manga, just draw how you see your subject.
The essence
Otherwise more widely known as the gesture of something or of a person, gesture is the single most important thing in your drawing process. If you cannot capture the mood of your subject before you start adding more detail you’ll end up with a picture with nice detail and a lot of work put into it, but it won’t tell the story you need it to. In the animation industry every single drawing should be enriched with essence so the viewer sees life and can follow the story a lot easier. Capturing the essence? Right will what the hell are you talking about and how do I do that you might ask. Well save this copy of
“Gesture Drawing for Animation” by Walt Stanchfield and have a read. A gesture drawing is a quick sketch without detail to draw an essence of story and truth, you will need to practice getting down the essence before you can learn how to draw or go on experimenting with other things. A lot of people use stick figures for the essence, drawn really roughly and quickly. A bus trip is perfect gesture practise, since you only get a few seconds to examine your subject and then attempt to put it down on paper and to tell their story, by story I mean are they sad are they happy, are they frustrated that their bus is late, are they tired are they relaxed, talking, reading a book intensely, giving directions, there are countless stories to be told with gesture drawings, so get cracking.
Baby steps
After you can draw the essence you can start by adding detail to it, whenever you draw anything you will always draw a quick essence first to help you visualize what you are trying to draw. I started out drawing by using shapes, so I would get the essence and then use circles everywhere and overlap them to get the shape right. I learnt this from Glenn Vilppu who sells a set of I think 12 videos for about $500, its expensive but iv seen the first 2 and if I had $500 to spend id purchase it, but I don’t, but that’s ok all is not lost, as sheldonsartacademy on youtube puts it, the secret to learning how to draw is practice. But there are a lot of ways to speed up the process and become a better artist. I recommend you purchase the book,
“The natural way to draw” by Kimon Nicolaides, no matter what if you have this book in your arsenal your set. It’ll get you from A to Z 3 times through. Although the book is asking you to go through vigorous training with models and so which isn’t really possible for anyone unless you have a whole class who would like to do the book with you or a your a millionaire, its hard to follow his teachings exactly. But it is actually one of the best books for anyone on a learning how to draw journey. It teaches you all the different ways to improve your drawings, Kimon Nicolaides’s way of gesture drawings might be different from Walt Stanchfield’s gesture drawings but they are both excellent practice. I find Walt Stanchfields book Gesture Drawing for Animation a lot more comprehensive than Kimon Nicolaides’s, but only the gesture drawing part, and even though your not an aspiring animator the book will help improve your gesture drawings 10fold, plus Walt Stanchfield also has a special message he portrays in his writings and I recommend you read that before you jump on to “The natural way to draw” by Kimon Nicolaides.
So what’s next?
So after reading Gesture Drawing for Animation by Walt Stanchfield and your kind of getting the hang of the whole gesture drawing thing your ready to move onto “The natural way to draw” by Kimon Nicolaides. Which is all about drawing from a model which is an excellent notion, the more life drawing classes you attend the better you’ll get. Use nicolades’s book as a bag full of tricks and try them all. Don’t see a contour drawing as a waste of model time, everything you draw is an experience and builds on your skills as an artist. Don’t attempt to master one way of drawing stay experimental and draw in all the different ways. Because as soon as you think you’ve mastered one way of drawing your stuck at a point and all your doing is drawing but not learning enough from it, having les and less experiences, so the way of drawing has actually mastered you.
Right so
I just summed up my journey over the past year in 2 pages, I have drawn almost everyday and filled up 6 sketchbooks. Read Gesture Drawing for Animation by Walt Stanchfield and currently halfway through the natural way to draw by nicolades, iv also picked up other how to draw books, but those 2 there will get you to a great start, and hopefully you can reach where I am in 6 months since you don’t have to go hunting these 2 great books. But it takes time and patience, but you’ll get better, as long as you enjoy yourself its all good.
So yeah that’s it, its easy peasy buy
“Gesture Drawing for Animation” by Walt Stanchfield and practise drawing everyday in your sketchbook, buy a whole set of 2b pencils, they run out a lot quicker than you think, after you have mastered the gesture hunt down a copy of
“The natural way to draw” by Kimon Nicolaides and read about the different ways to draw and draw using them, find yourself a few life drawing classes you can attend weekly and just draw a lot. Enjoy hope this helped, if it did please feel free to link to this article or even email me =) thanx for reading and goodluck to ye.